Foldforming - I love it!

My first attempts with a more suitable hammer :)

You wouldn't believe it, but this is the start of a beautiful organically shaped leaf. The shape to the right is folded on the straight side, and then cut out of a 0,5mm copper plate.

The cresent to the left had the same shape before I took my hammer to it and gave it a good whacking. From the center and out to both ends, taking care not to hit the folded edge too much, just the open side of it.

Height of straight fold - 4,5cm

After hammering on both sides (to get the texture on both sides) I took it to my kitchen and heatet it on my gass stove to a dull red glow, then into the sink in a bath of cold water to cool it quickly.
Then the magic of unfolding begins ...

Oh yes ...!

Yummy

Smaller version, 3cm. I consider giving it a twist

 

And am I ever pleased. I love organic shapes, I love leaves, I even love the colour of copper!

 

These are straight from the flame (or the sink actually), and while I love the burnt autumn colours I would like to try a polished version some time. And a silver version ... Oh yum!

 

~ o 0 o ~

 

Oh, a slight problem - my lovely little anvil is now full of marks from the half of the hammer not hitting the copper (cause it's a tiny little bit of metal to work on). I rather thought anvils were too hard to get marks from hammers so I'm a little down by that.

 

Does this mean I should get a slimmer hammer? One that does not protrude beyond the edge of the copper. Is that what you all use out there in foldforming-land, tiny little hammers that are 1cm or less wide?

Inspiration has hit ...

You know that feeling you get, when you discover something new and wonderful, and you just want to jump in and try it out, right this second? Well, I've got that feeling big time.

Before I found lampworking, I dappled a bit in metal jewelry. Just a bit mind you, and it's been ... what, 20 years or so?
It was a bit of sawing, filing and soldering, and then some swirlings of really fat wires. But it never came to much. Then one of the very last things I did before packing it all up was this copper neckpiece.

I made a pattern, cut it out and hammered it up from a flat sheet on my little anvil. I'm still kind of proud of it, all these years later, even though it is not really comfy since you can't move/turn your head freely wearing this. But the shape is nice and it has a lovely texture, and it came out quite well I think, for not knowing what I were doing.

And now I've discovered techniques that makes my heart race. Oh yes!
Anticlastic raising, Rueger folds, star folds, sinusoidal stakes ... my mind is buzzing with wonderful new words and ideas of gloriously organic shapes. Goggle 'fold forming', click for pictures and behold a world of beauty. Please do google it, you really have to see what I am going on about. Or just click here :)

I have to try this, I really do, or I'll simply burst. I have dug out my old tools from the box in the basement. I have my little anvil, I have some copper plate, I have my saw and a bunch of blades. I am sure I can anneal the copper with my lampworking torch, if I take care not to melt it ... but I am terribly short on usefull hammers, and I have no stakes either, and both are kind of vital.

ETA: Okay, so I tried to make a leaf, the simplest fold forming possible (I think), and ... I'm not going to show it. It is horrible :) I found out I really do need a hammer with the propper shape (mine is slightly rounded, but mostly flat and circular. And it's way too light for this), but hey! I found out I can anneal the copper right on the top of my kitchen stove!
Brilliant :)
And I can draw and think up what I want to do, until I can get some tools. Yay!

How to change the relay of your kiln: Uterm BA-2

My kiln has been having trouble keeping a steady temperature lately, so I emailed the nice people at Uterm and they sent me a replacement relay (Thank you, Uterm!)

I were wondering if I would be able to replace it myself, since I have no idea what goes on inside a kiln, but as you see, it was a piece of cake :)

Here is my kiln seen from below. You may be able to see 2 boxes attached to the bottom plate from the inside, and a bunch of wires.

4 screws keep the bottom plate in place from the outside. 2 in front and 2 in the back. A little tight, but easily removed. I pulled out the bottom plate with an old screwdriver, by pulling on the little 'legs'.

Here it is opened, revealing the wires inside. I were surprised there wasn't more parts in there.

The wires go in (and back out and up to the heating elements) ...

There is the relay, and a transformer behind it ...

And over here on the other side is the brain, with the control buttons on the outside. And that is it ...

The relay has 6 wires attached, two of them double, and with this much space to work in they were easily removed and attached to the new relay in their propper places. Then I unscrewed the old relay and put the new one in it's place.

I closed up the bottom plate and put the 4 screws back in.
Voilá, all done.
Much easier than I had imagined :)

Studio Renovation

So - do you remember, a year and a bit ago, I started rambling about how I were going to clear out all the stuff in the basement and have the room renovated and have a really nice studio?

Well, we're halfway there, and that deserves a fanfare: Toot tooteloot!!

And here are the pictures to prove it :)

The 'before', Yikes!

January 2013:
Only the flooring has been laid in at this point, but at least the room is empty. The table in the center of the room had nowhere to go, so we covered it up in paper and used it as a worktable.

The outer wall was in a pretty bad shape and had to be brutalized with a crowbar. You may be able to see that it was quite a layer that came off. And quite an area also.

Then my sweet and handy boyfriend set to work. He plastered up the wall, scraped off all the yellow paint, covered the walls and ceiling first in a sealing liquid, then fiber 'wallpaper' and finally painted everything white. See?

Except around the heater, that will be hidden by a curtain later.

 

So now I have the opportunity to build a great studio for all of my creative urges :)

 

I have many ideas of what I want to fit in there, but tell me - What do you enjoy most in your studio? What clever little details have you come up with? What have you done/build/bought, that you can't imagine functioning without?

 

I'd love to know.

Thank you,

Lene





Opening Day at Mille-Maj's

Opening day(s) went well, I heard from an excited, but very tired MilleMaj at closing time on saturday. She even had a painting class later in the day (I told you she is efficient), after all the visitors had gone home.

Picture time!

Here is the entire shop from outside, and the two windows seperately below for better viewing of the art (click them).

Inside, lots of goddies! Here a table full of ceramics, teapot warmers and other bits, and lots of colourful paintings and fused and slumped glass bowls by the wall.

A fine little cupboard, stuffed with pillows and owls. All the furniture is for sale too :)

The ceramic corner, cups, bowls and creatures, Oh my!

And here is the display for my pendants and figures in a glass cabinet in the center of the shop. Nice :)

And on the shelf above them, these fun characters. Is it a toucan or a punk-haired hunchback? Fun!

And look at this charming fellow :)

These were my favourite ceramic pieces. Mermaid bowls with beautifully decorated tails, and tiny little bowls with the most amazing red interior colour.

While I were having a look around, the girls were busy having fun with silk- and foamclay, and many little creatures were born.

There were so many more bits and pieces, but I'll stop here for now.
If you are into handmade, this is definately worth a visit :)
at Jernbanegade in Frederikssund

I'm in a new shop! Mille Maj in Frederikssund

This is very exciting!

This is a completely new shop, opening for the first time on friday march 1'st 2013.
Yes, there's only a few days untill the grand opening festivities, which by the way, will last for a full 2 days! Both friday and saturday will be stock full of great offers at reduced prices, and fun activities to join in on.

Mille Maj is one adventurous and highly efficient lady, and the shop is a wonderful mix of creativity. Yours and mine. She has pieces from several talented artists, in glass, ceramics, metal, fabric and paint, and also materials for you to buy and make your own crafts. And not only that, she is also offering a whole range of classes you can sign up for.

You can read all about it (in Danish) at Mille Maj's website.



Mille Maj's shop, before opening day,
with only a little bit of the craftyness showing :)
Thank you Mille-Maj for the use of your photo

This weekend I went and delivered my part of the goods. I gave her 4 godess figures and a whole bunch of goddess- and drop pendants, plus many pairs of loose flowerbeads for crafting jewelry. Many of these will be presented at a reduced rate for the opening.

I work on fridays, but I look much forward to going on saturday to have a look at all the wonderful creations. Uuf! I'm so excited!

The opening hours on the 2 opening days are as follows:

Friday 10-17.30
Saturday 10-14

You can see the regular hours at Mille Maj's website.

Come see all the crafty goodness for yourself :)
Woot!

The Making of 'The 7 Seas'

Hmm, what kind of ocean beads/jewelry could I make?

I had this thought of overlapping wavebeads. A wide, yet lightweight, area of sea colours intertwining, all around (or at least halfway around) the neck.

After a few colour and shape tests, I settled on this drop shape. I made a bunch of them, then sorted them by size to be gradually smaller towards the sides. I quickly realised there were way too many and settled on 7 drops, which seemed not too heavy to wear or look at.

Then I began playing with the form. The drops I had made were way too large for my first idea of the final form, so I made my way by trial and error

Should the middle drop be on top?

Or underneath?

Well, as you can see, neither version was any kind of light or elegant, but rather massive and clunky. And the drops didn't lay down nicely, like I had intended.

So I spread them out, but I didn't like the thought of filling the gaps with spacers either, which would be necessary to stop the drops from sliding about.

After that I were out of ideas ... but as I were fondling the beads, moving them here and there, I pushed all the drops tight together, pressed the flat parts to the same level, and an open fan-shape appeared.
That will never hold up to being worn I thought, so I tied half a knot at the top, pulling the two ends together, and voilá!

I were happy :)
I added a spacer at the top to help keep the silk in place, and there's a little spacer on either end of the ribbon, for easier handling when tying and un-tying behind your head.

I am very pleased with this shape. It is as flat as I wanted. It seems light, yet has a definate presence. It keeps it shape nicely (as long as you don't bend over and let it swing freely) and the colours in the drops are perfectly matched by the ribbon. Yay!

Now I have just 1½ week to finish up and send off my bounty, and I still need to order cord necklaces (for the smaller version I'm sending too, that is just one drop on a cord), to sort and assemble the drops I have ready, and to make a bunch more, just because I don't want to run out :)

Up, up and away!
Lene