Ooh, I love my infinite rim mould!
Yes, I decided to go ahead and get one, since all I have heard about it is praise and goodness. Isn't it delicious and pretty and SHINY :)
And it works great too, these are my very first rounded marbles.
From the top left:
a spectacularly cracked flower marble,
a large-ish vortex in pastels and pixiedust, slightly cracked and with a ring of soot,
a slightly cracked planet marble,
an octopus experiment with a very flat 'face',
another planet with several mysteriously flat areas,
and finally the best of the bunch, a white flower with just a bit of soot at the top of the lens.
It seems perhaps I should start out a bit smaller, or perhaps by reading/watching a tutorial :)
I am not unaccustomed to keeping large masses of glass warm (large for beads anyway), but I have never used punties before. I dropped the first marble tree times (the cracked planet), but after that it went well. It is a bit of a distraction though, as is using a new tool, which may well have kept my attention from keeping the heat up.
But I am very happy with them, in anticipation of better results with practice :)
Love,
Lene
Showing posts with label tools. Show all posts
Showing posts with label tools. Show all posts
Thursday, April 26, 2012
Friday, August 21, 2009
New Tools
So what tools did I get you ask? Well -
I have been having a lot of fun playing with the large hole mandrels I have. They are only 5mm mandrels, but that is large for me and my tiny beads :)
The whole point of making beads with larger holes is of course that I would love to core them, and eventually cap them too. I just love the look, not to mention the feel, of cored/capped beads. Glass in itself has a lovely weight, but the extra weight of the silver is a treat that screams 'Quality!' to me.
I now own a tubecutter from Ridgid, a beadliner from ArtintheRound, and a bit of tube from Ravstedhus. The only problem is that the tube has a slightly larger outer dimension than the inner dimension of the beads I had prepared. Now I double dip the mandrels, to see if that helps, but of course these new beads are waiting to be annealed. The double dipping seems to make the seperator crack when I heat it, even if I leave it to dry overnight (or several nights as it may be), so it can be a bit difficult to work with, but I am getting used to it.
Artsy thought of the week - I need to start earning some serious money, because I think I may have to start a ceramic collection too, as well as a glassobject collection.
I collect names/cards of artists I like, and have done so for years. One day I will be able to shop art again, it will happen, most definately, because it makes my soul sing.
Last saturday I saw the beautiful earthy works of Annette Valstrøm at the annual arts and crafts market at Vor Frue Plads in Copenhagen. She had brought this type of figures, a lot of them, a whole forrest. It was a beautiful sight (and I want one! or two ...) :)
P~
I have been having a lot of fun playing with the large hole mandrels I have. They are only 5mm mandrels, but that is large for me and my tiny beads :)
The whole point of making beads with larger holes is of course that I would love to core them, and eventually cap them too. I just love the look, not to mention the feel, of cored/capped beads. Glass in itself has a lovely weight, but the extra weight of the silver is a treat that screams 'Quality!' to me.
I now own a tubecutter from Ridgid, a beadliner from ArtintheRound, and a bit of tube from Ravstedhus. The only problem is that the tube has a slightly larger outer dimension than the inner dimension of the beads I had prepared. Now I double dip the mandrels, to see if that helps, but of course these new beads are waiting to be annealed. The double dipping seems to make the seperator crack when I heat it, even if I leave it to dry overnight (or several nights as it may be), so it can be a bit difficult to work with, but I am getting used to it.
Artsy thought of the week - I need to start earning some serious money, because I think I may have to start a ceramic collection too, as well as a glassobject collection.
I collect names/cards of artists I like, and have done so for years. One day I will be able to shop art again, it will happen, most definately, because it makes my soul sing.
Last saturday I saw the beautiful earthy works of Annette Valstrøm at the annual arts and crafts market at Vor Frue Plads in Copenhagen. She had brought this type of figures, a lot of them, a whole forrest. It was a beautiful sight (and I want one! or two ...) :)
P~
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