I'm rather fond of this one. It looks like a single coral sending out its egg into the ocean. It's a circle of SIS with inward spikes, on a purple frit background. I'm thinking it should be possible to make a group of spawning corals, though they might well lose their circular shape during implosion.
Two more in pink, a flower and a spiral, both implosions too. They are both quite low in the marble, the spiral most, which makes it hard to see properly, even in person.
I'm afraid I still need to work on my roundness. Apparently I don't pay enough attention to the roundness, while I do remove chillmarks carefully. I probably should punty several more times than I do, in fact, I probably should make myself a very simple marble and punty it over and over just to practice.
I still worry about dropping the marble, and I definately do not master any kind of cold connection yet. I make my hot connections real skinny, so there is only a little bit to melt flush in the end, but of course this makes it very easy to get the punty too hot and droopy while working on the marble.
Well, there is always Practise, Practise, Practise :)
Tuesday, June 19, 2012
Tuesday, June 12, 2012
Back from a Beadiful weekend (part II)
Sunday, the second day of the event, is open for the public. From 10am to 5pm there are demos to watch, you can try making your own bead, there is a beadcontest to vote for, both Ravstedhus and Ombos are open for business, and finally, there is the bead fair, full of awesomeness to bring home.
Here is my booth
and here is Martina Schlemminger's, which was next to mine. I could use some more colour, don't you think?
Here is a picture of some lampworkers looking at the contest beads. The theme was 'Eventyr', the danish word for fairytale. It also means adventure, so there is room for interpretation :)
And here are the winning beads!
First place goes to Connie Sørensen for the Sleeping Beauty Castle
Second place goes to my three Tinderbox Dogs (woohoo!!)
and the shared Third place goes to Bente Clausen's Goddess and Matina Schlemminger's Dragonhead.
Hooray, Congratulations all around! :)
You can see all the (13) participating beads at Brittas Blog Pibbs. She has made an extensive account of the weekend, 4 posts long: post 1, post 2, post 3 and post 4. Go have a look, there's a ton of pictures :)
Spending a whole day looking at beads can make you fall in love. This year I brought home this fun and colourful mushroom from Martina and the fabulous glass pen below. And I didn't need a full day, it was love at first sight :)
And some leather cord necklaces, some copper wire for leaves probably, and 3 magnetic locks with inlays, so I can make either bracelets or necklaces on wire. Can you believe I have never made a beaded bracelet?
I also got 3 large neckdisplays and a hollow mandrel with a blowhole for hollow beads.
Yup, definately a great weekend :)
Lene
Here is my booth
and here is Martina Schlemminger's, which was next to mine. I could use some more colour, don't you think?
Here is a picture of some lampworkers looking at the contest beads. The theme was 'Eventyr', the danish word for fairytale. It also means adventure, so there is room for interpretation :)
And here are the winning beads!
First place goes to Connie Sørensen for the Sleeping Beauty Castle
Second place goes to my three Tinderbox Dogs (woohoo!!)
and the shared Third place goes to Bente Clausen's Goddess and Matina Schlemminger's Dragonhead.
Hooray, Congratulations all around! :)
You can see all the (13) participating beads at Brittas Blog Pibbs. She has made an extensive account of the weekend, 4 posts long: post 1, post 2, post 3 and post 4. Go have a look, there's a ton of pictures :)
Spending a whole day looking at beads can make you fall in love. This year I brought home this fun and colourful mushroom from Martina and the fabulous glass pen below. And I didn't need a full day, it was love at first sight :)
Glorious, aren't they? And now I just need some ink. Martina had brought some, but it never crossed my mind that I would need that too. I just loved the glass as it was. Yum!
Then I went shopping for materials. I got some glass, light ivory, sea colours and pinks, and also some tubing so I can try the blowing technique we saw saturday night.
And some leather cord necklaces, some copper wire for leaves probably, and 3 magnetic locks with inlays, so I can make either bracelets or necklaces on wire. Can you believe I have never made a beaded bracelet?
I also got 3 large neckdisplays and a hollow mandrel with a blowhole for hollow beads.
Yup, definately a great weekend :)
Lene
Wednesday, June 06, 2012
Back from a Beadiful weekend (part I)
Hooray! What a wonderful weekend :)
It is such a treat to be able to visit the one and only annual lampwork event of the country. This was the third year I got to visit the lovely south of Jutland and spend a full two days on nothing but lampwork.
The first day, saturday, is for members of 'Foreningen Danske Glasperler' only.
We started out with Thomas Risom, who told us about glass beads from the times of the vikings and the first glass bead maker in Denmark, located in Ribe. He was very entertaining, and I enjoyed hearing him speak even if ancient beads doesn't interest me much.
Later he showed us the bead volcano he had made himself from clay, sand and horse droppings. It does not go as hot as our torches, but it goes up to about 900 C which is enough to round out the beads. You can see more pictures of his process at his vikingblog.
Then Jytte Petersen showed us how she makes the decorative pins, known in Denmark as 'nipsenåle'. I was looking forward to this because I have made a few of them myself.
Jytte makes them in the old fashioned style. They are quite adorable, tiny little creatures, all with a very happy body language.
Later Martina Schlemminger showed us her mixed colour beads. The green/yellow combination is very popular in Germany this year.
and Christiane Strauss of Ombos showed the chrysantemum bead.
In the afternoon Tom Lundsten showed us the process of making a beadstamp. He is working on making a product for Ravstedhus, where you can mail off a drawing and get it made into a brass stamp. Exciting!
After dinner at the local Inn, we went back to hear from Tina Moeslund. She showed her set-up for engraving beads and also a super easy way to center a 1 wire bracelet into a 5mm magnetic clasp. It involves a centering bit which also makes it very easy to get a very secure and tight closure.
Finally to end a wonderful day, Jens Christian Kondrup blew hollow beads from blobs of molten soft glass, and it didn't even crack from cooling off in open air. I got myself a couple of tubes so I can try this at home :)
Phew. You can certainly learn and experience a lot in just one day!
I only got a little bit lost on the way back to my B&B :)
More pics in my next post, including the contest beads ...
It is such a treat to be able to visit the one and only annual lampwork event of the country. This was the third year I got to visit the lovely south of Jutland and spend a full two days on nothing but lampwork.
| Beautiful clouds over the flat land of southern Jutland |
We started out with Thomas Risom, who told us about glass beads from the times of the vikings and the first glass bead maker in Denmark, located in Ribe. He was very entertaining, and I enjoyed hearing him speak even if ancient beads doesn't interest me much.
Later he showed us the bead volcano he had made himself from clay, sand and horse droppings. It does not go as hot as our torches, but it goes up to about 900 C which is enough to round out the beads. You can see more pictures of his process at his vikingblog.
| Thomas and Jesper working the bead volcano |
Then Jytte Petersen showed us how she makes the decorative pins, known in Denmark as 'nipsenåle'. I was looking forward to this because I have made a few of them myself.
Jytte makes them in the old fashioned style. They are quite adorable, tiny little creatures, all with a very happy body language.
![]() |
| Jytte Petersen making a bird pin |
![]() |
| Grooming bird, seahorse, horse, elephant and a happy, happy pig :) The seahorse and the elephant went home with me, along with another seahorse and a simple bird |
Later Martina Schlemminger showed us her mixed colour beads. The green/yellow combination is very popular in Germany this year.
| Martina Schlemminger spinning a bead |
| Martinas Bead Candy, Yum! |
| Christiane Strauss making a chrysantemum bead |
After dinner at the local Inn, we went back to hear from Tina Moeslund. She showed her set-up for engraving beads and also a super easy way to center a 1 wire bracelet into a 5mm magnetic clasp. It involves a centering bit which also makes it very easy to get a very secure and tight closure.
Finally to end a wonderful day, Jens Christian Kondrup blew hollow beads from blobs of molten soft glass, and it didn't even crack from cooling off in open air. I got myself a couple of tubes so I can try this at home :)
Phew. You can certainly learn and experience a lot in just one day!
I only got a little bit lost on the way back to my B&B :)
More pics in my next post, including the contest beads ...
Friday, June 01, 2012
No shopping notice!
I'm back, and the shop is open again :)
The shop over here
<------------------
is closed till monday, when I return from the lampworkers get together.
I'll be off in just a few hours, Yay!!
Have a great weekend <3
The shop over here
<------------------
is closed till monday, when I return from the lampworkers get together.
I'll be off in just a few hours, Yay!!
Have a great weekend <3
Wednesday, May 30, 2012
Only a few more days, before ...
... the one and only annual danish lampworkers get together, arranged by 'Foreningen Danske Glasperler' (the Danish Glass Beadmakers Society).
On friday I'll be off to the most southern part of Jutland, where Ravstedhus graciously lend their land and facilities to the society for two days. Two days of demos, bead talk, tool and supply shopping and on sunday, the lampworkers market, and more demos open to the public. It will be great!
This year I made sure I took the time to make and send in a bead for the competition. The theme was 'Eventyr' (fairytales), or I could be completely wrong because that word can also mean 'Adventure'. Oops?!
In any case - I made a trippel dog bead, to illustrate the 3 dogs from 'the Tinder Box' by H. C. Andersen. What a weird ending that tale has. The soldier simply terrorizes everybody into saying: 'Why yes, of course, you must be our new king!' I realise that old time fairytales are not made for children, but still, is that the kind of morals we/they would want to pass on as great? I am a little confused.
So - I have never made a dog in glass before, and 3 in one does not make it easier I can tell you. I did need a couple of tries before I were happy. The first ones didn't even look like dogs, but rather teddy bears. Then I realised how to fix their faces and a more proper way to place the legs. They are still cartoony though, but after all it is a fairytale, so that is just fine.
I sent in the one on the left, in wich I included a heap of 'money' for the dogs to sit on.
See how the ones on the right are all teddy-ish? Even with the tounge sticking out. They are all ivory and I fumed them a bit, for a more delicious tone of brown. There are always things you'd like to do different, but time is up and I am pleased with my progress, and with the bead I sent in.
I am looking forward to seeing the other peoples fairytale beads, to getting to do a roadtrip, meet all the lampworkers and to all of the weekends adventures. Yay! :)
I hope you have a great weekend too :)
Lene
On friday I'll be off to the most southern part of Jutland, where Ravstedhus graciously lend their land and facilities to the society for two days. Two days of demos, bead talk, tool and supply shopping and on sunday, the lampworkers market, and more demos open to the public. It will be great!
This year I made sure I took the time to make and send in a bead for the competition. The theme was 'Eventyr' (fairytales), or I could be completely wrong because that word can also mean 'Adventure'. Oops?!
In any case - I made a trippel dog bead, to illustrate the 3 dogs from 'the Tinder Box' by H. C. Andersen. What a weird ending that tale has. The soldier simply terrorizes everybody into saying: 'Why yes, of course, you must be our new king!' I realise that old time fairytales are not made for children, but still, is that the kind of morals we/they would want to pass on as great? I am a little confused.
So - I have never made a dog in glass before, and 3 in one does not make it easier I can tell you. I did need a couple of tries before I were happy. The first ones didn't even look like dogs, but rather teddy bears. Then I realised how to fix their faces and a more proper way to place the legs. They are still cartoony though, but after all it is a fairytale, so that is just fine.
I sent in the one on the left, in wich I included a heap of 'money' for the dogs to sit on.
| view of the 3 little dogs 'cause they are cute |
| another side view |
See how the ones on the right are all teddy-ish? Even with the tounge sticking out. They are all ivory and I fumed them a bit, for a more delicious tone of brown. There are always things you'd like to do different, but time is up and I am pleased with my progress, and with the bead I sent in.
I am looking forward to seeing the other peoples fairytale beads, to getting to do a roadtrip, meet all the lampworkers and to all of the weekends adventures. Yay! :)
I hope you have a great weekend too :)
Lene
Monday, May 14, 2012
More marbles (purplish)
I made some more marbles! :)
This is a big one, more than 1" across. My vortexs seem to grow uncontrolably while I build them. This one, like my first vortex, is without a solid backside colour. I rather like it that way. It is also slightly transparent, since I didn't cover it completely in purple frit. I like that too.
It doesn't really show, except when you hold it, but the center of this one apears so deep it wouldn't fit inside the marble. It is very cool.
And check out that bubble I planted in the depth of the vortex. I thought it would go round as I finished the backside, but no, it has kept a neat pointy spaceship form. Vrooooom!
I am keeping this one, in my pocket for now, because even though the lens magnifies like crazy, it is still not smooth enough to live with somebody else.
Next time I'll see if I can get some light in there.
This next one has a name. Oh I know, you don' believe me, since I never ever name anything. Even my teddy bear I had as a child went without a name for some 13 years. But this marble has a name and got it as soon as I picked it out of my kiln. It's a Fairy Flower. Yeps. Because it's kind of like a flower, but not really.
Two experiments went into that. The white center dots that melted into each other and didn't spike much, and the skinny purple things flabbing in the breeze. Those were made by pushing line-shapes into the back of the frit and imploding them. I expected to see raised lines, but no, I got skinny pointy bits.
I covered the back in white, because the purple frit keeps staying on the surface and devitrifying and looking really bad. Next time I'll dip once more in the frit before I cover it for a purple background. It will be lovely.
I also made another marble, but it photographs incredibly bad, so no picture of that. I am only mentioning it (without a picture) because a strange and interesting thing happened when I imploded.
I made a stringer from dipping clear in goldstone fine frit. It has a lovely minty blue colour, but since it is on clear it is very transparent and doesn't show up well in pictures.
In the marble I made 2 circles of bubbles and a single one in the center, then dottet them with the stringer. Then, to avoid too much boiling of the goldstone, I covered the dots in clear. I had expected the stringer dots to rise up, like petals and dots usually do, but they all stayed mostly flat. Then the outer dots curved downwards on the outer rim away from the center, following the side of the marble towards the back.
None of the colours I have imploded so far has done anything like that. I am sure it is because it was mostly clear and with hardly any difference in viscosity. Fascinating. I'll have to see if I can duplicate it some time.
This is obviously not a marble. It is a picture from my garden, where the appletrees are blooming like crazy! The cherry trees have already lost their petals, but they were lovely while it lasted. Just to let you know that spring is here, and it is fantastic!
This is a big one, more than 1" across. My vortexs seem to grow uncontrolably while I build them. This one, like my first vortex, is without a solid backside colour. I rather like it that way. It is also slightly transparent, since I didn't cover it completely in purple frit. I like that too.
It doesn't really show, except when you hold it, but the center of this one apears so deep it wouldn't fit inside the marble. It is very cool.
And check out that bubble I planted in the depth of the vortex. I thought it would go round as I finished the backside, but no, it has kept a neat pointy spaceship form. Vrooooom!
I am keeping this one, in my pocket for now, because even though the lens magnifies like crazy, it is still not smooth enough to live with somebody else.
| Front |
Next time I'll see if I can get some light in there.
| Back |
This next one has a name. Oh I know, you don' believe me, since I never ever name anything. Even my teddy bear I had as a child went without a name for some 13 years. But this marble has a name and got it as soon as I picked it out of my kiln. It's a Fairy Flower. Yeps. Because it's kind of like a flower, but not really.
Two experiments went into that. The white center dots that melted into each other and didn't spike much, and the skinny purple things flabbing in the breeze. Those were made by pushing line-shapes into the back of the frit and imploding them. I expected to see raised lines, but no, I got skinny pointy bits.
I covered the back in white, because the purple frit keeps staying on the surface and devitrifying and looking really bad. Next time I'll dip once more in the frit before I cover it for a purple background. It will be lovely.
I also made another marble, but it photographs incredibly bad, so no picture of that. I am only mentioning it (without a picture) because a strange and interesting thing happened when I imploded.
I made a stringer from dipping clear in goldstone fine frit. It has a lovely minty blue colour, but since it is on clear it is very transparent and doesn't show up well in pictures.
In the marble I made 2 circles of bubbles and a single one in the center, then dottet them with the stringer. Then, to avoid too much boiling of the goldstone, I covered the dots in clear. I had expected the stringer dots to rise up, like petals and dots usually do, but they all stayed mostly flat. Then the outer dots curved downwards on the outer rim away from the center, following the side of the marble towards the back.
None of the colours I have imploded so far has done anything like that. I am sure it is because it was mostly clear and with hardly any difference in viscosity. Fascinating. I'll have to see if I can duplicate it some time.
-----
This is obviously not a marble. It is a picture from my garden, where the appletrees are blooming like crazy! The cherry trees have already lost their petals, but they were lovely while it lasted. Just to let you know that spring is here, and it is fantastic!
Love,
Lene
Monday, May 07, 2012
Giant Spiderrs! (Don't worry, they are all glass)
At the Museeum of Natural History in Copenhagen, right now there is an exhibition about spiders. This might well have been one of those events where I think 'Oh, I'd like to see that' and then promptly forget about it. But when I heard some of the exhibits were made in glass - well, I just had to go and see it for myself.
The 5 glass spiders on exhibit are made by British glass artist Neil Wilkin. There was a short video of him, making them in parts and putting them together on a center bit of steel. They are quite fabulous, and large!
Here is the Green Lynx Spider,
Here is the Black Widow,
a White Crab Spider,
a jumping Spider,
and finally a Tiny Orb Weaver.
Fabulous!
But you really have to see them up close to apreciate the finer details. My favourite is the jumping spider, covered in frit and lovely soft colours.
There were of course live specimens present too, large and small. Most of them were kept in semi-darkness, but this palm-sized fishing spider had just enough light for a decent picture (I didn't want to use flash on the poor creatures). See that gubby in the water getting a little too close for his own good?
They also had a few examples of clothing made from spiderweb.
This hat-thingy was made by collecting webs with a V-shaped branch (or two braches put together). When the webs have formed a solid 'fabric' you are done and slide the hat off the branches. It is supposedly water tight, but ... it was also full of insect remnants, so a big 'no thank you' from me.
I am wondering what they will do with the glass spiders after the exhibition closes in december. I wouldn't mind giving that jumping spider a new home :)
Love and creepy crawleys,
Lene
The 5 glass spiders on exhibit are made by British glass artist Neil Wilkin. There was a short video of him, making them in parts and putting them together on a center bit of steel. They are quite fabulous, and large!
Here is the Green Lynx Spider,
Here is the Black Widow,
a White Crab Spider,
a jumping Spider,
and finally a Tiny Orb Weaver.
Fabulous!
But you really have to see them up close to apreciate the finer details. My favourite is the jumping spider, covered in frit and lovely soft colours.
There were of course live specimens present too, large and small. Most of them were kept in semi-darkness, but this palm-sized fishing spider had just enough light for a decent picture (I didn't want to use flash on the poor creatures). See that gubby in the water getting a little too close for his own good?
This hat-thingy was made by collecting webs with a V-shaped branch (or two braches put together). When the webs have formed a solid 'fabric' you are done and slide the hat off the branches. It is supposedly water tight, but ... it was also full of insect remnants, so a big 'no thank you' from me.
This scarf however, is beautiful. It was made by pulling the silk directly from the spiders, then spinning it to weaveable threads, and finally weaving the scarf. The amazing golden colour is completely natural, from the spidersilk itself. That I wouldn't mind wearing.
Love and creepy crawleys,
Lene
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